Monday, September 10, 2012

The Great Library of Alexandria Revisited: An Interview with K. Hollan Van Zandt

Last week I reviewed Written in the Ashes, a look back at one scenario covering the final destruction of the Library of Alexandria. Today I'm talking with the author, K. Hollan Van Zandt.

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1) Please tell us about your book.

Written in the Ashes is the untold story of the events that led up to the burning of the Great Library of Alexandria, Egypt. It features the powerful women of the ancient world, including Hypatia, the first known female philosopher/scientist, and a small pagan resistance who were trying to save themselves, and all knowledge from annihilation. And there is a significant love triangle, of course!

2) You could have easily focused a book about the destruction of the last remnants of the Library of Alexandria around the philosopher Hypatia, such as was done in the recent film Agora. You went a slightly different route with the character of Hannah. Tell us a bit about why you choose that character focus.

(Laughs) I think I was raised on too much Disney to kill my protagonist. Besides, I wanted someone from outside of Alexandria for who the city and it’s wonders would be fresh and astonishing. I wanted an experience of heightened sensory beauty for the reader seeing the city from the eyes of a shepherd girl, not someone who was already central to the Great Library. Also, I could find a more drastic character arch in Hannah, and transformation interests me as a writer. Who are we, and how do we become who we become? – This is one of my central driving questions as a novelist.

3) What got you interested in the Library of Alexandria?

I dated an Egyptologist, and we had a lot of interesting arguments about history.

4) The history of Alexandria and the Library from around that time is spotty. What sort of research underlies your work? There are various accounts separated by decent spans on time on the final fate of the Library and its holdings.

History may be the bones of my book, but myth is its blood. I did all my research from original source material in university libraries, but even sources diverge when it comes to Egypt. This left me plenty of room to play as a novelist, and I ultimately went with the most exciting story to tell. (I wanted a big fire. I interviewed a lot of firemen.) So there was that. But also, the librarians of the Great Library are well-documented up to Hypatia, and she is the last known librarian. So it seemed obvious to me that the library ended with her. It was a hypothesis I was never able to completely disprove in my research, so I ran with that thread. All information after the early fourth century was controlled by Christian scribes, and as we know, history is written by the victors. What really happened? Read the book and decide...

5) Is there anything you learn about this period you learned during your research that surprised you?

The latrines had no doors. In fact, the public latrine was an enormous room with benches all around the walls, and the benches had holes in the center. And everyone did their business while discussing the town gossip, all within full view of each other! I kept trying to find a way to write this into a scene, but realized that the reader would find it too unbelievable, so I never did write it, even though it was true!

6) Is there anything about this historical period and location you think people tend to misunderstand?

Rome and Athens have reputations as centers of the ancient world, but when it comes to knowledge, these cities are dwarfed by what was happening in Alexandria. Aristarchus developed a heliocentric solar system model circa 300BC, and Eratosthenes calculated the circumference of the Earth quite precisely just a short time later. Yet, people often refer to how we thought the Earth was flat even in the 1400s. ‘Taint so, folks. We knew we lived on a ball 2000 years before Columbus sailed the seas. If you wonder what happened, and where all that knowledge went, it can be summarized by the burning of the Great Library of Alexandria as a precursor to The Dark Ages.

7) Any theories on what might have been some of the most influential material lost in the destruction of the Library holdings?

We know for certain that Homer had written several other epics that were lost. We lost the complete writings of Plato, Archimedes, Eratosthenes, Aristarchus, and potentially even Socrates. We lost many of the great Greek plays from Euripedes and others. We certainly lost several plays by Aeschylus, even making the origin of the rest of his work all the more debatable. We probably lost how the Great Pyramids were built. We lost all the original medical discoveries- who made them, such as the pulse and the circulation of blood. We lost the works of Galen. These names won’t mean much unless you look them up. Suffice it to say that the Industrial Revolution would have come about 1500 years earlier had the Great Library remained standing. And we never would have known the Dark Ages at all. The loss today would be the equivalent of the entire internet winking out overnight, never to be rebooted.

8) You've made no claims that your particular narrative is a straight factual account. Instead, you've talked about it being a synthesis of legend and fact. How did you approach what to include and not include?

My mentor, Tom Robbins, often begins his lectures by stating that the first words any human ancestor said to another around that proverbial first fire, were probably not, “Pass me that haunch of mammoth meat,” but, “Tell me a story.” What does the story I am telling matter to you unless it is a great story? So I say, this story has some truth. But to make it a truly great story, it also needed to have some fiction. If you want truth, go read the history books. I have read them. You are in for a dry read and I hope you speak Latin, Greek, and Aramaic. Or you could go on a wonderful adventure that synthesizes some of the truth, and invites you to feel something that expands your humanity. We are human, in the end, so what matters to us is not fact, but the feelings of other people- our relationships, if you will. And by reading a book, you take on new relationships with those characters, and if you are lucky, and the novelist is trustworthy, you will experience epiphanies because you will be stretched to see life in new ways. That is the purpose of fiction.

9) Please tell us about some of your future projects.

There is a TV series in the works that is based on this novel. I have two more books in this series (The Mediterranean Trilogy) slated. There is a children’s novel I am now completing about Mark Twain and a mockingbird who wants to be a novelist. I’d also like to write a screenplay about an eco-terrorist. Lots of ideas! 

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If you'd like to read more about her, please visit her website at http://www.kaiavanzandt.com/.

Written in the Ashes is available for purchase at Amazon and Barnes and Noble.

Saturday, September 8, 2012

A SWAT Ninja Zealot in the Gritty Shadows of Dystopian New York: An interview with Christian Porter

Today I'm talking with Christian Porter about his thriller, Shadow Precinct.

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1) Please tell us about Shadow Precinct.

A: Shadow Precinct is the story of Everett Santeaux, a man who has been trained since a child to become a master in hand to hand combat techniques and applied technology called a zealot. His goal as such is to help in the recollection of firearms, which have been heavily restricted in this alternate reality United States. A mob boss is found murdered and he is asked to help investigate. In doing so, a whole bunch of stuff unfolds that push the story forward and hopefully keep the reader guessing.

2) How did you come with the idea of the zealots? Even though by the time your story starts your protagonist is an adult, were you influenced at all by the use of child soldiers in certain parts of the world?

A: That is a really good question. The idea for zealots came from just thinking about life in this type of world and how the hierarchy would shift in terms of the police force, or any organization tasked with protecting citizens for that matter. I knew that I wanted to inject martial arts into the action and story, and I wanted to incorporate that into a system that could seemingly naturally blossom from the events in Shadow Precinct’s story. I started to think, when police need that extra level of force or expertise, they call in the SWAT team, but what if that wasn’t enough? That’s where I kind of started to formulate where zealots would fit into that equation. I wanted an awesome, high tech, ninja SWAT team.

As far as the influence of child soldiers from around the world, I am happy you touched on that because, yes, that definitely helped me formulate ideas about the zealot system. I’m not going to front and say I did exhaustive research about the topic, but I am aware of places like Sierra Leone and Liberia where child soldiers were exploited and the stories are awful. You read or hear some of the first-hand accounts and it’s unbelievable that a child came through that. Conversely, it’s despicable that any human would put a child through that. I wanted to take some of those aspects that are uncomfortable and inject them into the story. The training that zealots are put through in the story is pretty intense, pretty brutal. I want the reader to feel somewhat uncomfortable about what they’re witnessing in hopes that it reflects the desperation of the situation to implement such a program in the first place.

3) Why did you choose to set your story in a dystopian New York City?

A: I wanted to set it in this alternate version of New York City for a couple of reasons. One, New York is one of the most iconic cities in the world, and probably the most instantly recognized American city, I’d think. Visually, it was just very intriguing for me to imagine that city mutating under the context of this alternate reality that I was trying to create. The second reason, and really the main reason, is because of the hip hop influence. The genre was born in New York and the main story takes place in the year 1997, which is during one of the golden eras of hip hop to me. There is a consistent hip hop heartbeat throughout the story whether it be lines that reference different albums, or excerpts from songs from that particular time period. I wanted my love for the music to shine through in a subtle way and give other fans of the genre some cool Easter eggs. I think every song that I reference in the book, a true hip hop fan will give me a slow nod of approval, at least that’s my hope. I was careful in selecting the songs that I reference because I wanted them to play into the story in different ways. I hope that is something else that people will catch on to as they’re reading it.

4) Well, the premise of this book promises both a lot of tense mystery and action. What kind of actions scenes can readers look forward to?

A: I think people should expect some intriguing detective mysteries connected with entertaining fight scenes throughout. I want people to get the feel of watching a intricately choreographed fight scene from a classic movie with a high tech spin on it. I tried to break up the seriousness a bit with some humor interspersed throughout as well.

5) Most novels don't have concept art, but yours does. Can you tell us a bit about your creative process in developing this book?

A: Well, after I graduated from college I got a job in the video game industry as a programmer. Doing that, I just saw the use of concept art pretty much through every phase of our design process. I always had a respect for artists because I can’t draw to save my life. I’m also a very visual person, so I wanted to go beyond my words and add a little bit more to jumpstart the reader’s imagination. I’m fortunate that Luther Berry, the artist that did the cover and the interior art, is a very talented. We were able to get a good vibe going and he was able to see my vision. It was very cool to see my ideas realized in that way. My love for comics and manga played a part in that as well.

6) Do you plan any sequels?

A: Yeah, for sure. My original outline was for a trilogy. I know that’s the cool thing to do now, unnecessarily stretch your material to fit into that context, but I want to reassure people that this was the original plan! I’m working on the follow up now and it’s going really well.

7) Do you have any other unrelated stories in the works?
A: I do have some ideas for some other things, but the main focus is Shadow Precinct right now and making sure that’s in a solid place. I just want to make sure each part of the Shadow Precinct saga is better than the last.

8) Are there any authors who have inspired or influenced you?

A: Yeah, definitely. The first one I always say is Phillip K. Dick. Between Do Androids Dream of Electric Sheep and Ubiq, those two stories just inspired me so much to write science fiction. The Blade Runner film that was based on Electric Sheep gave me a lot of visual inspiration as well. Kurt Vonnegut’s Slaughterhouse 5 was another one that inspired me with his unorthodox storytelling and use of humor in dire situations. Junot Diaz’ The Brief and Wonderous Life of Oscar Wao is another one of my favorites. I just really love the way that book is written and it helped me build confidence in letting myself show through my writing. The Watchmen graphic novel is essential for me. George R. R. Martin (A Song of Ice and Fire), Hiroshi Sakurazaka (All You Need Is Kill), and Masashi Kishimoto (Naruto manga), are all authors I highly respect and their works are definitely inspirational to me as well.

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Thanks, Christian.

You can find more about Christian and Shadow Precinct at  http://www.shadowprecinct.com/ and at the publisher (http://www.azizapublishing.com/).
   




Thursday, September 6, 2012

The Death of Knowledge: A review of Written in the Ashes by Kaia Van Zandt

Although such things go in cycles, many people are often seduced by a sort of Whig view of history, wherein the barbarous past steadily advanced to the morally, scientifically, and politically superior present. People have repeatedly pronounced many times that the "End of History" or some variation.

Some of this comes from the ignorance of what our ancestors truly knew. While some ignorance is just the result of arrogant presumption, there's the sad reality that the carefully gathered knowledge of the lessons of the past were also dispersed by the more brutal forces of history and humanity.

Such is the case with the legendary Great Library of Alexandria. This storehouse of knowledge and wisdom was attacked multiple times throughout its history. It's final fate is unclear, and different sources have conflicting information.Nonetheless, we know that we loss a great collection of knowledge. This final destruction of the Library is the focus of Written in the Ashes by Kaia Van Zandt.

The novel details the experience of Hannah, a Jewish shepardess, who is kidnapped by slave traders and brought to Alexandria. Her natural musical talents and intelligence quickly have her leaving the life of a manual servant and bring her into contact with the philosophers of the Library, including Hypatia, the headmistress. Of course, Hypatia had political and theological enemies, as thus Hannah is drawn into the dangerous conflict in an unstable Alexandria.

One of the difficulties in historical knowledge is presenting setting information in enough depth that readers appreciate the setting, but not in a way that is intrusive and distracting. As Hannah starts an outsider, her exposure to Alexandrian society, the Library, and certain mysticism elements (and local romantic interests) flows very naturally. She's a likable and believable protagonist with good emotional depth. In addition to Hannah, numerous other characters, including Hypatia, are well-drawn, though some of the antagonists could perhaps have benefited from being presented with slightly more nuance.

The presented historical detail is rich and engaging. Though the librarians and philosophers of the Great Library are romanticized more than a little bit, the often harsh nature of the city and the time are generally presented in a forthright manner.This is definitely not a sanitized version of the ancient past, and there is more than a little casual violence and frightening scenes.

It is important to note, however, that given the paucity of information on the time and general dramatic license, that several key elements of the book are as perhaps as much legend as history (including some of the aforementioned mystic elements). The author, however, makes no claims that this is a straight-forward historical narrative, but instead directly explains in her notes that she's presenting a synthesis of legend and what's known to present a plausible narrative.

The tension is built effectively from the slave catchers at the beginning to the burgeoning discord in the city. I found the dramatic flow gripped me just as effectively in this novel as in many of the military-related historical fiction works I've been consuming as of late. While this may or may not be the true historical account of the fate of the last vestiges of the Great Library of Alexandria, it certainly is a gripping tale.

Please visit http://www.kaiavanzandt.com for more information.

Tuesday, September 4, 2012

Route 66: The Mother Road to Self-Discovery: An interview with PC Zick

Today I'm talking with PC Zick about her road trip novel of self-discovery, Live from the Road.

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1) Please tell us about your book.


Live from the Road takes the reader on an often humorous, yet harrowing, journey as Meg Newton and Sally Sutton seek a change in the mundane routine of their lives. Joined by their daughters, they set off on a journey of salvation enhanced by the glories of the Mother Road. Along the way, they are joined by a Chicago bluesman, a Pakistani liquor storeowner from Illinois, a Marine from Missouri, a gun-toting momma from Oklahoma, and a motel clerk from New Mexico. Meg, mourning for her dead son, learns to share her pain with her daughter CC. When Sally’s husband of almost thirty years leaves a voice mail telling her he’s leaving, both Sally and her daughter Ramona discover some truths about love and independence.

Death, divorce and deception help to reveal the inner journey taking place under the blazing desert sun as a Route 66 motel owner reads the Bhagavad-Gita and an eagle provides the sign they’ve all been seeking. Enlightenment comes tiptoeing in at dawn in a Tucumcari laundromat, while singing karaoke at a bar in Gallup, New Mexico, and during dinner at the Roadkill CafĂ© in Seligman, Arizona. The four women’s lives will never be the same after the road leads them to their hearts – the true destination for these road warriors.

2) Please tell us about your main characters. 

The narrator is Meg, a fifty-something divorced mother of two. She's a self-described curmudgeon who must face the death of her son. She didn't know it would happen on this trip. Her best friend is Sally, married mother of two - same age. Sally's husband leaves her in a voice mail while they're on the journey. CC is Meg's daughter. She's a musician who sings her way across the country in karaoke bars. Ramona is Sally's daughter and CC's best friend. She has her own secrets which are revealed on this journey. Each of the women change during the trip and make major decisions about their respective lives when it's all over.

3) What is it about the road trip, and Route 66 for that matter, that resonates so well with Americans?

Route 66 represents change and adventure for many people. It follows the path of the Trail of Tears, and the dust bowl victims in the 1930s also traveled this road. Its legend grew along with its roadside kitsch when authors such as Jack Kerouac and John Steinbeck began writing about it. Travel is the opportunity for us to step outside of our worlds. We can be completely different people once we hit the road and leave our comfort zones. I think that's why it's so appealing.

4) You have a rich cast of characters and locations in your book. Were any these inspired by real places or people?

The locations are all real and most of them I visited on my own Route 66 journey in 2007. The characters were inspired by people I met along the way and each time I met one of them, I knew someone was trying to tell me to write a novel about a trip down the Mother Road.

5) What are the fundamental themes your book explores?

The book stresses the importance of communicating our deepest feelings. The plot explores the relationship between parents and children and the complications that arise when emotions are kept bottled up inside. We are fearful of hurting others or bothering them when in fact we hurt them the most when we aren't honest with them.

6) You left a career as a teacher to become a full-time writer. What went into that decision?

I'd lost my love of teaching after seventeen years. I kept wondering what else I knew how to do and the answer kept coming back to writing. While still teaching, I began picking up freelance work for local papers and publications. After one year of freelancing, I realized I'd made $5,000 just for writing in my spare time. I approached the editor of the local newspaper, and he said he'd hire me full time anytime I was ready. I went to my principal and told him I'd be leaving at the end of the school year. That was June 2001, and I've never looked back. I've made my living as a writer or editor ever since.

7) Please tell us about some of your other work.

I've published four other books. Three of them are novels and one is nonfiction. Currently, I'm finishing the second draft of another novel, Trails in the Sand. Again, I come back to the theme of families. In this one, the family must go back several generations to heal the wounds inflicted years ago. In the background, the Deepwater Horizon oil spill is spewing into the Gulf of Mexico, threatening the environment. It explores the process of being able to recover and heal after destruction to create a peaceful future. I hope to have it finished by the fall.

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Thanks, P.C.

Monday, September 3, 2012

An African Village and a Fairy-Tale World: An interview with Liz Grace Davis

Today I'm talking with Liz Grace Davis about her YA fantasy, Tangi's Teardops. She's stopping by as part of a blog tour organized by the Making Connections Goodreads group. To find other tour stops, please check out this link.



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1) Please tell us about your book.

Tangi’s Teardrops is a young adult fantasy novel about a girl who dreams of becoming something larger than herself. She later finds out that she has magic tears, the key to all her dreams. If only things were that easy.

The novel is set in Africa in two very different setting; an African village and a fairy tale world.

2) Please tell us a bit about you lead character.

Tangi is twelve years old and handicapped. She has one leg shorter than the other. And she’s constantly teased for it. But it doesn’t hurt her as much because she has her father. He is the most important person to her and he makes everything better. Then he suddenly dies, leaving her an orphan. All he leaves her are three empty bottles and no explanation why they are important.

Tangi and her step sisters move to their uncle’s farm, where Tangi suffers at the hands of two housekeepers, while her sisters watch on. What Tangi doesn’t know is that the tears she has cried since the death of her father are magical and they can save her and transport her to Rosevine, where all her dreams can come true. But there’s one big problem. Rosevine is about to disappear and only she can save it.

3) What inspired this book?

My childhood. Tangi is actually my third first name. You can read about the story behind Tangi’s Teardrops here: http://bit.ly/wWAjj4

4) You've lived in Angola, Namibia, and South Africa, among other places. Please tell us how that cultural background influenced the setting of your book.

Yes, I was born in a refugee camp in Angola, moved to Namibia (where my parents are from) when I was eight, lived in South Africa for three years, lived in Germany for seven years and Austria for six. I met my husband in Austria.

Growing up I had the opportunity to spend a significant amount of time in both the city and the village. In fact, as a child I attended a village school, where the language of instruction was my mother tongue, Oshiwambo.

While living in the village, Tangi fetches water, cooks on an open fire, herds the animals, and sleeps in a hut. Just like I did between the ages of eight and ten. But when she moves to Rosevine, everything is different. It’s a whole new world. Instead of huts, there are castles and hill houses with modern interiors, a luxurious celebration hall, and so many other new things.

I believe the settings in Tangi’s Teardrops are a combination of places I’ve seen, books I’ve read, and my various experiences (both good and bad). Between the pages of this novel, readers will discover a little bit of Africa and a little bit of Europe (both through the descriptions and also customs).

5) Please tell us your thoughts about how your story fits (or doesn't fit) into the storytelling tradition of fairy tales.

For this I’ll use an excerpt from a review the novel received from a reader.

“Tangi's Teardrops mainly stands out because of its new take on Cinderella. The cast of characters is completely different (aside from the two stepsisters). Instead of an evil stepmother, there's an evil housekeeper and a sort-of-evil housekeeper assistant. There's a dead father, but there's also a loving uncle and kind school staff. And of course, there's still the whole kingdom of Rosevine. Moreover, I liked how the second half of the plot was very different from the actual Cinderella tale. The ball wasn't a significant part of the story, and neither was the classic glass slipper. Instead, Davis focuses on Tangi's efforts to save Rosevine while trying to fall in love with a prince, making Tangi seem less reliant on others, rather than the classic damsel in distress who waits for her Prince Charming” (Review by Rachael Wohoo).

6) The reader demographic label "young adult" is a nebulous thing that covers a wide range of book. As an author, what does "young adult" mean to you?

While writing Tangi’s Teardrops I spent so much time trying to understand this demographic label. In the end I simply decided that young adult novels are books written with young adults in mind but can be enjoyed by people from any age group. In fact, most of the people who bought Tangi’s Teardrops are not considered young adults. I even have a 45-year-old male among those readers. I do, however, agree with the fact that the main characters should be young adults.

 7) Please tell us about your literary influences.


Gosh, since I was a child I read so many books from various genres. I can’t say that my writing is influenced only by a certain number of books/writers. I think the books I read, the lessons I learned, the fun I had were all scooped into a mixer and mixed to create a wonderful literary cocktail. I pour a little of this cocktail into all my story recipes.

8) Please tell us about some of your other projects.

I’m currently editing my next novel, Honeysuckle & Jasmine, a women’s fiction inspired by a true story.

The story is about two African Au-Pairs (from very different backgrounds) who meet in a fictional town in Germany and embark on a journey that leads them to the true meaning of friendship. Together they laugh, they cry, they live, they grow. And then everything changes. Suddenly their carefree days are over and the struggles that come with living in a foreign country begin. The only thing that holds them together, when everything falls apart, is their friendship.

The novel will be published at the end of this year. You can get a sneak peek at the cover (in progress) I designed for the novel here: http://bit.ly/Nku67x

Oh, I’m working on a sequel to Tangi’s Teardrops.

Thank you so much for featuring Tangi’s Teardrops. You’re very kind. I hope your readers will enjoy the novel.

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Thanks, Liz.

If you'd like to see more from Liz or want to purchase the book, please check out the following links: