Her relationship troubles are bad enough, but when Brunhilde finally surfaces and launches a series of brutal attacks, Gail realizes it is only a matter of time before her nemesis attempts her final revenge. Love may be an afterthought with death coming to Seattle.
Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts
Wednesday, February 25, 2015
The Final City, Book 3 of the Osland Trilogy
Her relationship troubles are bad enough, but when Brunhilde finally surfaces and launches a series of brutal attacks, Gail realizes it is only a matter of time before her nemesis attempts her final revenge. Love may be an afterthought with death coming to Seattle.
Labels:
gail dorjee,
magic,
new releases,
osland,
paranormal,
young adult
Sunday, October 6, 2013
A Genocidal Cult, A Capricious Empress, and a Naive Magical Scholar: Mind Crafter
To be a crafter is to control the essences of the world. To be a crafter of House Lran is to control the very essence of being, the mind. Feared by others for their ability to read and alter minds, the Lrani are known across the Larangian Empire for both their powers and mental discipline.
Shala, a talented young Lrani scholar, is obsessed with her research and has little concern for the mundane banalities of the outside world. A chance trip to a market rips the woman out of her isolated life after she chooses to use her crafting to stop a massacre. When the eccentric Empress Tua Van orders Shala to investigate the involvement of the mysterious Cult of the Cleansing Gods, the scholar doesn't know if she’s looking into a centuries-old conspiracy or just the paranoid delusions of an unstable woman.
With an unpredictable empress, suspicious palace officials, and strange nightmares all wearing her down, Shala is determined to find the truth before she ends up disgraced or killed.
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It will soon also be available at Apple/iBookStore and Sony.
Labels:
book releases,
cleansing war saga,
conspiracy,
crafting,
fantasy,
house lran,
lrani,
magic,
mind crafter,
scholar,
shala
Tuesday, March 27, 2012
Magic's in the Blood: Guest post by Marion Sipe
Today we have a guest post from author Marion Sipe about her fantasy, A SIGN IN BLOOD, which is free today on Amazon.
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Hello all!
I'm Marion Sipe and today I'm here at Unnecessary Musings (Thank you, J.A.!) to talk about my epic fantasy novel A SIGN IN BLOOD. I worked long and hard on it, sometimes despairing of it ever being finished, but mostly I loved every minute of it.
I really enjoyed writing these characters and discovering over the course of the story (and its many edits, revisions, and drafts!) how exactly they related to one another and the world in which they live. Most of the characters in A SIGN IN BLOOD don't quite fit anywhere, and Liral and Sadin or no different. Liral is supposedly a queen, but all her life she's been called 'slow' and told that she is incapable of ruling. Liral's mother has always been a larger-than-life figure, adored by her people and respected by the Factors and Factrixes. After her mother's—suspicious and quickly hushed up—death, Liral has been like a shadow in the court, under the thumb of the Factors' Council and unable to break away.
Sadin, on the other hand, is Full Rank Clergy, a respected and high position which allows him much more freedom than most among his people ever experience. Yet, he's haunted by the memory of one brother's death and the other's abandonment of him. Though his still-living brother, Bastian, is a priest at the same temple, the two of them have never been close. Sadin tells himself that he doesn't need his family, and that the temple and its clergy have become his family, but the anger still simmers just below his surface.
Both of them have position, status, but neither is happy, or safe. They both belong within their constructed worlds, and yet they don't. They both desperately want control over their own lives, but the methods they'll use to achieve that are very different indeed. I enjoyed writing both of them because neither is straightforward. There's a lot of complexity and emotion, often hidden or repressed, and neither of them is entirely aware of their own motivations.
Liral's world is very different from Sadin's, until they collide and both of them have to decide who to fight for, and who they will make their enemies. It made writing these characters very fun. They both surprised me now and then, and sometimes I wasn't even sure what one or the other would decide until it came time for them to make the decisions.
-----
Hello all!
I'm Marion Sipe and today I'm here at Unnecessary Musings (Thank you, J.A.!) to talk about my epic fantasy novel A SIGN IN BLOOD. I worked long and hard on it, sometimes despairing of it ever being finished, but mostly I loved every minute of it.
I really enjoyed writing these characters and discovering over the course of the story (and its many edits, revisions, and drafts!) how exactly they related to one another and the world in which they live. Most of the characters in A SIGN IN BLOOD don't quite fit anywhere, and Liral and Sadin or no different. Liral is supposedly a queen, but all her life she's been called 'slow' and told that she is incapable of ruling. Liral's mother has always been a larger-than-life figure, adored by her people and respected by the Factors and Factrixes. After her mother's—suspicious and quickly hushed up—death, Liral has been like a shadow in the court, under the thumb of the Factors' Council and unable to break away.
Sadin, on the other hand, is Full Rank Clergy, a respected and high position which allows him much more freedom than most among his people ever experience. Yet, he's haunted by the memory of one brother's death and the other's abandonment of him. Though his still-living brother, Bastian, is a priest at the same temple, the two of them have never been close. Sadin tells himself that he doesn't need his family, and that the temple and its clergy have become his family, but the anger still simmers just below his surface.
Both of them have position, status, but neither is happy, or safe. They both belong within their constructed worlds, and yet they don't. They both desperately want control over their own lives, but the methods they'll use to achieve that are very different indeed. I enjoyed writing both of them because neither is straightforward. There's a lot of complexity and emotion, often hidden or repressed, and neither of them is entirely aware of their own motivations.
Liral's world is very different from Sadin's, until they collide and both of them have to decide who to fight for, and who they will make their enemies. It made writing these characters very fun. They both surprised me now and then, and sometimes I wasn't even sure what one or the other would decide until it came time for them to make the decisions.
And both have to fight quite a lot. And, well, both get their butts kicked occasionally… Okay, so they get their butts kicked fairly often, but neither Liral nor Sadin has ever been a one to give up easily. Will that be for good or ill?
Go grab a free copy and find out!
To learn more about Marion Sipe, A SIGN IN BLOOD, or her other works, visit Visions and Revisions.
To learn more about Marion Sipe, A SIGN IN BLOOD, or her other works, visit Visions and Revisions.
Labels:
a sign in blood,
epic fantasy,
guest blog,
liral,
magic,
marion sipe,
sadin
Monday, September 19, 2011
Magical Mondays #1: The Imperfect Creation of Man: The Golem
Welcome to my first Magical Monday. In these segments, I'll be briefly touching on various magical traditions and elements that people have been believed in (or continue to believed in) throughout history. Eventually, I may also move onto depictions that appear only in novels, but there's plenty of historical stuff to keep me busy for a while.
Disclaimer: These blog entries should not be interpreted as either the promotion or insults against belief in any particular magical system or religion. I find this fascinating from an intellectual and creative stand-point and respect the wide variety of human thought.
Today's topic: Golems
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Modern humans take for granted the impressive scope of our current understanding of the world. Molecular biologists push at the very understanding of what defines and produces life. Physicists peer into the fundamental fabric of space-time. We've flown to the moon. For most of history, true understanding of any of the forces of nature has eluded us.
Our ancestors spent just as much effort trying to understand their world through various magical systems. In the end, despite the religious or spiritual elements that often accompanied them, magic systems were previous attempts to understand the universe or attempt to imitate the grandness they saw in nature.
Before genetic engineering or robotics arose, there were people who sought to create artificial life. Such was the case with legendary Jewish mystics and golems.
A golem, fundamentally, is an artificial magically-animated humanoid. Legends note they could be made from a variety of earthen materials with mud and clay the most commonly mentioned. According to the Talmud (the central written collection of Jewish Oral law and rabbi commentaries), when God created Adam, the first man, he remained as a soulless golem for the first 12 hours hours of his existence. Various methods have been described concerning the actual act of creation. Many of these procedures involve variations on invoking the name of God. Numerology based on the Hebrew alphabet often figures prominently. These methods basically involve borrowing the wisdom and power of the divine to invoke the power of the creation of life.
Despite all the links to the divine, there's still a heavy element of scholarship and analysis (this is a recurring motif in Jewish mysticism that I may revisit in a future article, though certainly not limited to Jewish mystical traditions), thus golem creation is typically associated with rabbis. The implication being that enough study and wisdom can grant the knowledge of creation. The magical power is not inherent to the rabbi. The details vary, but it is very common that the Hebrew word emet (truth) is inscribed on the golem's forehead. The construct can then be deactivated by removing the final Hebrew letter forming met (death). Another word-based activation involves Adam being inscribed on the head. The word inscription is not universal and one interesting variant includes walking around the golem chanting the secret name of God (also worth of an entire entry itself) backwards.
There are numerous other legends and details associated with golems, and mystical manuals in the Middle Ages even purported to offer detailed instructions on the proper creation methods.What is rather striking that despite the mystical and spiritual links to the divine, golem creation is still often defined in legend as a process that can be learned through the acquisition of knowledge.
This human-limited creation can only manage a limited act of creation. Golems possess great strength and durability, but they lack intelligence and have to be given literal commands (in some legends these were oral, in others they were literally 'fed' instructions on paper). The inability of golems to speak is a continuing motif. Many legends focus on golems getting out of control.
The last point is an interesting theme repeating even to this day. In one of the more famous stories set in the 16th century (evidence suggests the legend didn't arise until the 19th century though), Judah Loew ben Bezalel, the Chief Rabbi of Prague, created a golem to deal with a spate of antisemitic violence. Though it defended the Jews, it eventually fell to violent rampaging and had to be deactivated by the rabbi. Many variants of this particular legend claim the golem is still around in storage, deactivated.
Indeed, the Golem of Prague has made appearances in such diverse places as the beginning of Michael Chabon Pullitzer Prize's winning novel, The Amazing Adventures of Kavalier and Clay and the far less literary The Simpsons. I doubt that any of those ancient rabbis were ever thinking about anything like that when they were trying to learn how to create life.
Disclaimer: These blog entries should not be interpreted as either the promotion or insults against belief in any particular magical system or religion. I find this fascinating from an intellectual and creative stand-point and respect the wide variety of human thought.
Today's topic: Golems
-----
Modern humans take for granted the impressive scope of our current understanding of the world. Molecular biologists push at the very understanding of what defines and produces life. Physicists peer into the fundamental fabric of space-time. We've flown to the moon. For most of history, true understanding of any of the forces of nature has eluded us.
Our ancestors spent just as much effort trying to understand their world through various magical systems. In the end, despite the religious or spiritual elements that often accompanied them, magic systems were previous attempts to understand the universe or attempt to imitate the grandness they saw in nature.
Before genetic engineering or robotics arose, there were people who sought to create artificial life. Such was the case with legendary Jewish mystics and golems.
A golem, fundamentally, is an artificial magically-animated humanoid. Legends note they could be made from a variety of earthen materials with mud and clay the most commonly mentioned. According to the Talmud (the central written collection of Jewish Oral law and rabbi commentaries), when God created Adam, the first man, he remained as a soulless golem for the first 12 hours hours of his existence. Various methods have been described concerning the actual act of creation. Many of these procedures involve variations on invoking the name of God. Numerology based on the Hebrew alphabet often figures prominently. These methods basically involve borrowing the wisdom and power of the divine to invoke the power of the creation of life.
Despite all the links to the divine, there's still a heavy element of scholarship and analysis (this is a recurring motif in Jewish mysticism that I may revisit in a future article, though certainly not limited to Jewish mystical traditions), thus golem creation is typically associated with rabbis. The implication being that enough study and wisdom can grant the knowledge of creation. The magical power is not inherent to the rabbi. The details vary, but it is very common that the Hebrew word emet (truth) is inscribed on the golem's forehead. The construct can then be deactivated by removing the final Hebrew letter forming met (death). Another word-based activation involves Adam being inscribed on the head. The word inscription is not universal and one interesting variant includes walking around the golem chanting the secret name of God (also worth of an entire entry itself) backwards.
There are numerous other legends and details associated with golems, and mystical manuals in the Middle Ages even purported to offer detailed instructions on the proper creation methods.What is rather striking that despite the mystical and spiritual links to the divine, golem creation is still often defined in legend as a process that can be learned through the acquisition of knowledge.
This human-limited creation can only manage a limited act of creation. Golems possess great strength and durability, but they lack intelligence and have to be given literal commands (in some legends these were oral, in others they were literally 'fed' instructions on paper). The inability of golems to speak is a continuing motif. Many legends focus on golems getting out of control.
The last point is an interesting theme repeating even to this day. In one of the more famous stories set in the 16th century (evidence suggests the legend didn't arise until the 19th century though), Judah Loew ben Bezalel, the Chief Rabbi of Prague, created a golem to deal with a spate of antisemitic violence. Though it defended the Jews, it eventually fell to violent rampaging and had to be deactivated by the rabbi. Many variants of this particular legend claim the golem is still around in storage, deactivated.
Indeed, the Golem of Prague has made appearances in such diverse places as the beginning of Michael Chabon Pullitzer Prize's winning novel, The Amazing Adventures of Kavalier and Clay and the far less literary The Simpsons. I doubt that any of those ancient rabbis were ever thinking about anything like that when they were trying to learn how to create life.
Labels:
golems,
jewish mysticism,
magic,
magical constructs,
magical mondays,
prague
Sunday, December 31, 1989
Magical Mondays Index Page
Here is the archive of all my Magical Mondays entries:
Magical Mondays #1: The Imperfect Creation of Man: The Golem
Magical Mondays #2: Diving the Future: Chinese Oracle Bones
Magical Mondays #3: Poisonous Immortality: Taoist Alchemy
Magical Mondays #4: IkiryĆ, Haunting by the Living
Magical Mondays #5: Blemmyes, the headless threat
Magical Mondays #6: Cihuateteo, The Duality of Suffering Mother Spirits
Magical Mondays #7: Courtship's For Losers: Just use a spell: Ancient Greek Love Magic
Magical Mondays #8: The Cards Don't Quite Tell All: A Brief History of the Tarot
Magical Mondays #9: No lions, no wardrobes, but some witches: A Brief History of European Witch Hunts
Magical Mondays #10: I am Certainly not Number Four, East Asian Fear of the Number Four
Magical Mondays #11: The Power of Internal Anatomy to Tell the Future: Haruspicy
Magical Mondays #12: Kushtaka, the Otter Men
Magical Mondays: Magical Mondays discontinued
Return to the main blog
Magical Mondays #1: The Imperfect Creation of Man: The Golem
Magical Mondays #2: Diving the Future: Chinese Oracle Bones
Magical Mondays #3: Poisonous Immortality: Taoist Alchemy
Magical Mondays #4: IkiryĆ, Haunting by the Living
Magical Mondays #5: Blemmyes, the headless threat
Magical Mondays #6: Cihuateteo, The Duality of Suffering Mother Spirits
Magical Mondays #7: Courtship's For Losers: Just use a spell: Ancient Greek Love Magic
Magical Mondays #8: The Cards Don't Quite Tell All: A Brief History of the Tarot
Magical Mondays #9: No lions, no wardrobes, but some witches: A Brief History of European Witch Hunts
Magical Mondays #10: I am Certainly not Number Four, East Asian Fear of the Number Four
Magical Mondays #11: The Power of Internal Anatomy to Tell the Future: Haruspicy
Magical Mondays #12: Kushtaka, the Otter Men
Magical Mondays: Magical Mondays discontinued
Return to the main blog
Labels:
history,
index page,
legend,
magic,
magical mondays,
mythology
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